Pity it doesn’t also edit the text of your document to synchronise the correction. The best is i, which replaces the token on which the error occurred with whatever text you write. The placeholder text has been carefully constructed to try and get people to use the various commands that are available on error during a TeX compilation. It would probably be better to consolidate the console window into the source, visible only during a typesetting run this is more work than I have time for, however. When there are three windows per document (source, output, console), it’s important to distinguish them in little ways. I’ve added a slight yellow colour to the window this facilitates easy of background recognition when you’re trying to grab a background document. (To do this “properly”, you would want to adjust the width of the window depending on the size of the fixed width font that has been chosen.) Since we know that 80 chars of Monaco 10 takes up about 500 pixels, the window can be fixed to that width. Using Helvetica as the default is just crazy. Note the output of TeX is hard-wrapped before printing to 80 characters, so it’s essential to have a fixed width font in there. I’m sure you’ll agree that the benefits of this can not be understated.Ī couple of notes about the design of the window itself. I’m literally a happier man for veritable seconds every day. In the end, a few long minutes messing around in Interface Builder yields a relative delight:Īh, bliss. But considering both my work and my play is done in TeXShop, that’s a lot of ugly looking right back at me.Įventually you just can’t take it any more. Running Matlab is a close second, but I’m not doing that quite so often these days. That’s easily the single ugliest window I have to look at on a daily basis. Sometimes I expend energy doing things that to the untrained eye look like a waste of time.
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